What I Talk About When I Talk About Haruki Murakami

A while back, I was reading Haruki Murakami’s The Elephant Vanishes, a collection of short stories. I have read a few other Murakami books (including his non-fiction Underground, about the sarin gas attacks on the Tokyo subway system in 1995, which I highly recommend. I think sometimes American’s forget that terrorism exists in other countries—what? Other countries?—and this book is a testament to global violence). I would consider myself a fan of his work. But about halfway through the book, I realized something: I didn’t understand about 60% of what I was reading. And that is probably being generous.

For those of you that don’t know, Haruki Murakami is probably the best known Japanese author outside of Japan. He studied at Waseda University, and I only mention that because I made a little pilgrimage, and their literature department has its own library. A library only devoted to works of fiction to be used by writers for reference purposes. I may have peed my pants a little. Got to hand it to the Japanese, they appreciate their art. Here, have some of my pictures, because everyone loves to look at other people’s travel photos.

Anyway, Murakami has won a million awards, including the Franz Kafka Prize, which Wikipedia tells me that to win, your work has to exhibit “humanistic character and contribution to cultural, national, language and religious tolerance, its existential, timeless character, its generally human validity and its ability to hand over a testimony about our times.” Haha, no problem! I bust crap like that out every day! I’m just filled with human validity. Now, excuse me while I partake of some ugly sobbing.

Murakami’s writing is filled with all of those themes, all beautifully crafted in a gloss of post-modern melancholy that I find both appealing and so damned frustrating, because sometimes YOU JUST WANT A HAPPY ENDING! STOP WHINING YOU OVER EDUCATED, OVERSEXED PROTAGONIST! His themes include violence, loss, and the subconscious. He is ridiculously well versed in Western culture, especially music, and interweaves this knowledge without you ever thinking he’s name dropping just cause he can. He plays around with reality and fantasy in ways that will blow your mind. So basically, Haruki Murakami wins. At life. And is better than you could ever hope to be.

Going back to my original point:

I could not make sense of a lot of what was going on in The Elephant Vanishes. But I still enjoyed reading it. I enjoyed what I did understand. I enjoyed the language. I enjoyed the different world view of reading a non-Western author. Murakami is a highly celebrated author, and my permanent “what?” face while reading should have made me feel like my AP English tests should be revoked. But I ended up not caring, and just reading.

What I am trying to say is I think that we are trained from an early age that everything must have some kind of deeper meaning. And if we don’t understand that meaning, we must be uncultured idiots. Even if you didn’t go to college, this idea was hammered in by high school. I still have my 12th grade English teacher’s horrible voice screeching in my brain when I approach a difficult book: “What’s the undergirding, overarching theme?” To which now, in the safe anonymity of the internet, I can finally reply you can take your undergirding and shove it up your overarching. And I say good day, Madame. I said good day!

So we get scared to explore challenging material, because of the fear that we won’t be able to identify and analyze the one sentence that that one character said on page 360, that other people have told us is important. And it probably is. But guess what? It’s not so important to be able to comprehend every microcosm of Heart of Darkness. What is important is whatever you end up getting out of it. Whatever speaks to you personally, as well as going out and finding stuff you may never have read because you thought it would go over your head.

Basically, go read. Read all the things. Try long books and poetry. Try philosophy and science. Hell, try a Murakami. Find what meaning you can and just enjoy the thrill of reading beyond your comprehension. I am someone who believes deeply in the power of books as a medium of learning and growing. So read. And grow. And learn. And don’t ever apologize for what you chose to take away from a book.

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